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PIETRO GENOVA GAIA

The violin is an instrument
to know yourself better

He began studying the violin at the age of eight under the guidance of Maestro Luigi Brusini. At the age of ten he entered the Conservatory Nicolò Paganini in Genoa, a student in the class of Maestro Donella Terenzio. He obtained the Violin Diploma in October 2017 graded 9.50/10 grade.
In the 2018/2019 academic year he graduated from Genoa University in International and Diplomatic Political Science with a 90/110 grade.
In December 2019 he successfully passes the audition at the Royal College of Music in London to undertake a Master of Music in Performance in which he graduated in July 2022. 
During his years at the Conservatory he had the opportunity to perform both as a soloist and as a piano and violin duo, and also in chamber groups of different genres, ranging from the string ensemble directed by M° Marchese Vittorio, to the contemporary music group of M° Lauricella Massimo, in trio under the guidance of M° Damerini Massimiliano, trying his hand for a long time in quartet both as second violin and first violin in the class of M° Costalbano Carlo. He took part in regional cultural initiatives promoted by Genoa City Council and the Liguria Region, playing in music festivals and cultural events.
After graduating, he attended the Universität der Kunste (University of Art) in Berlin, where he was invited to participate as a soloist in the Performance Classes of Marianne Boettcher's class.
He has played with the Carlo Felice Orchestra in various symphonic productions under the direction of Maestro Pietro Borgonovo and Maestro Giuseppe Acquaviva, he has also played with the Sanremo Symphony Orchestra and is invited to play regularly in the Piedmont Youth Orchestra of Ivrea. Thanks to the constant presence over the years of Maestro Sechi Roberto, a profound pedagogue with an innate vocation for teaching, he has maintained and maintains his great passion for the violin and music, obtaining excellent results in National Competitions and slowly succeeding in building an artistic life full of new experiences and small successes in a nascent concert career. He has performed in several halls of international conservatories such as Lyon, Berlin, Sankt Pölten (Vienna), and London. Over the years he had the opportunity to get to know great personalities and masters such as Giulio Franzetti, Cristiano Rossi, George Moench, Massimiliano Damerini for the study of chamber music, Bin Huang, Klaidi Sahatci, Jean Lener and finally Eugene Sarbu. 
During the academic year 2021/2022 at Royal College he has been appointed as Digital Learning ambassador. 
He is the Founder and Manager of the concert series at Netherhall House Auditorium, in Hampstead, London. 

 

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WHY PLAYING

Studying music, and in particular venturing into the playing of a musical instrument, is one of the best means of understanding the external world around us and the inner world that exists within us.

Music making is not only a creative act that fulfils the human being, but also allows the performer to express himself and satisfy the listener. 

So it’s an act of giving to oneself and to the other. 
 

An act of love. 
 

The serious commitment to an instrument develops discipline, method and imagination.

Studying music and making music are an ancient and traditional, yet still extremely modern practice that reveals man's nature and awakens that feeling of infinity and eternity that humans have always pursued.

Concerts

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